|
| |
|
|
Semantic representation of ellipsis
Mikulová, Marie ; Panevová, Jarmila (advisor) ; Karlík, Petr (referee) ; Štěpánek, Jan (referee)
This dissertation answers the question what is and what is not ellipsis and specifies criteria for identification of elliptical sentences. It reports on an analysis of types of ellipsis from the point of view of semantic (semantico-syntactic) representation of sentences. It does not deal with conditions and causes of the constitution of elliptical positions in sentences (when and why is it possible to omit something in a sentence) but it focuses exclusively on the identification of elliptical positions (if there is something omitted and what) and on their semantic representation, specifically on their representation on the tectogrammatical level of the Prague Dependency Treebanks. In this dissertation, the dependency approach (used in the Prague Dependency Treebanks) is also compared with the generative approach (used in the Penn Treebank). It is possible to utilize this comparison in the (automatic) conversion from constituency trees to dependency trees.
|
|
|
Narrative Structures in Virginia Woolf's Shorter Fiction
Kovačeva, Elizabet ; Wallace, Clare (advisor) ; Nováková, Soňa (referee)
Thesis Abstract One of the basic principles of modernism was to evaluate existing traditions and cultural norms, to innovate them, and to get rid of them if necessary. The need and urge to innovate proved to be immensely productive in the short story genre. The short story is now perceived as independent of other prose forms precisely thanks to the modernists. Virginia Woolf was one of the most enthusiastic innovators of the form, her work in the genre is nevertheless often overlooked in comparison to her novels, or even in comparison to other short story writers, such as Katherine Mansfield or James Joyce. This thesis deals with selected narrative structures in Virginia Woolf's shorter fiction. It works with the basic assumption that when Woolf's short stories are read, her novels have to be taken into account as well due to numerous thematic and other affinities. However, it is also of importance to evaluate Woolf's short fiction without measuring them against her novels as these are two distinct genres. The thesis introduction presents an overview of the literary and cultural context of the times in which Woolf lived and wrote, with emphasis on her familiarity with the Russian writers, primarily Chekhov, and the first Post-Impressionist painters. The thesis then carries out four separate analyses of four...
|
|
|
Narrative Structures in Virginia Woolf's Shorter Fiction
Kovačeva, Elizabet ; Wallace, Clare (advisor) ; Nováková, Soňa (referee)
Thesis Abstract One of the basic principles of modernism was to evaluate existing traditions and cultural norms, to innovate them, and to get rid of them if necessary. The need and urge to innovate proved to be immensely productive in the short story genre. The short story is now perceived as independent of other prose forms precisely thanks to the modernists. Virginia Woolf was one of the most enthusiastic innovators of the form, her work in the genre is nevertheless often overlooked in comparison to her novels, or even in comparison to other short story writers, such as Katherine Mansfield or James Joyce. This thesis deals with selected narrative structures in Virginia Woolf's shorter fiction. It works with the basic assumption that when Woolf's short stories are read, her novels have to be taken into account as well due to numerous thematic and other affinities. However, it is also of importance to evaluate Woolf's short fiction without measuring them against her novels as these are two distinct genres. The thesis introduction presents an overview of the literary and cultural context of the times in which Woolf lived and wrote, with emphasis on her familiarity with the Russian writers, primarily Chekhov, and the first Post-Impressionist painters. The thesis then carries out four separate analyses of four...
|
|
|
Semantic representation of ellipsis
Mikulová, Marie ; Panevová, Jarmila (advisor) ; Karlík, Petr (referee) ; Štěpánek, Jan (referee)
This dissertation answers the question what is and what is not ellipsis and specifies criteria for identification of elliptical sentences. It reports on an analysis of types of ellipsis from the point of view of semantic (semantico-syntactic) representation of sentences. It does not deal with conditions and causes of the constitution of elliptical positions in sentences (when and why is it possible to omit something in a sentence) but it focuses exclusively on the identification of elliptical positions (if there is something omitted and what) and on their semantic representation, specifically on their representation on the tectogrammatical level of the Prague Dependency Treebanks. In this dissertation, the dependency approach (used in the Prague Dependency Treebanks) is also compared with the generative approach (used in the Penn Treebank). It is possible to utilize this comparison in the (automatic) conversion from constituency trees to dependency trees.
|
|
|
Elipsis in the language of Spanish advertising
LUDVÍKOVÁ, Michaela
The aim of the bachelor's work is to deal with the linguistic specifics of the Spanish printed advertising and specifically of the ellipsis. The work is divided into the theoretical part and the research. In the theoretical part is introduced advertising in general, also specifics of the language of advertising and the utilization of figures of the speech in advertising. In the research is executed analysis of collected samples. Conclusions of the analysis serve as a clarification of hypothesis, also as finding out which types of ellipsis could be detected in the advertising, which words are frequently leaved out and with which frequency ellipsis occurs in the advertising.
|
guest ::
